Strömholm Christer . Les Amies de Place Blanche

2011 / Aman Iman Éditions / 29.6 x 20.8 x 2.6 cm / Hardcover / 212 pages / 142 B/W photographs and unpublished documents / French & English Text / Re-edited from the original edition published in 1983 by ETC Sweden

Foreword by Christian Caujolle.
Texts by Christer Strömholm, Helene Hazera & Johan Ehrenberg

Originally published in 1983, Les Amies de Place Blanche focuses on the transsexual community living around the Place Blanche district of Paris in the late 1950s and early 1960s. The book established Christer Strömholm’s reputation as one of the leading photographers of the twentieth century.

‘This is a book about insecurity. A portrayal of those living a different life in that big city of Paris, of people who endured the roughness of the streets. This is a book about humiliation, about the smell of whores and night life in cafés. This is a book about the quest for self-identity, about the right to live, about the right to own and control one’s own body. This is also a book about friendship, an account of the life we lived in the place Blanche and place Pigalle neighbourhood. Its market, its boulevard and the small hotels we resided in. These are pictures from another time. A time when de Gaulle was president and France was at war against Algeria. These are pictures of people whose lives I shared and whom I think I understood. These are pictures of women – biologically born as men – that we call ‘transsexuals’. As for me, I call them ‘my friends of place Blanche’. This friendship started here, in the early 60s and it has been going on for 22 years.’
– Christer Strömholm, 1983

The book includes the original essays by Strömholm and publisher Johan Ehrenberg as well as newly commissioned texts by Jackie and Nana, two of the women who feature in many photographs in the book. The introduction is by Hélène Hazera, a leading French journalist, actress, director, and television producer who is also a transsexual.

Born in Stockholm in 1918, Strömholm lived in Paris periodically during the 1950s and 1960s and it was here that he developed his particular style of street photography and made his famous portraits of transvestites at Place Blanche. Seen as the ‘father’ of Swedish photography, he was the first post-war Scandinavian photographer to achieve international recognition. Also active in Photographic Education, he co-founded the Fotoskolan academy in Stockholm in 1962, where his students included, amongst others, Anders Petersen and the film-maker Bille August.

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